![]() ![]() Tungsten lights are powerful sources which emit a warm color temperature. So with that in mind, we probably won’t be able to get into every single piece of movie lighting gear you might encounter, but we can look at a few of the most common pieces of equipment you should be familiar with.Īs we mentioned before, lighting for cinema comes in a variety of shapes and sizes, and so you’ll run into a lot of different types of lights on set. If you’ve ever been on a professional film set, you know that there’s a lot of equipment, and a huge chunk of the truckloads of equipment have to do with lighting. But what good are these terms if you don’t have the gear to achieve them? Type of Lighting in Film Film Lighting Gear So now you’ve got a small dictionary’s worth of terms to rattle off next time you’re on set. The farther you get from light, the more diffuse it gets, as you can see in this illustration: In order to calculate just how much a light can be expected to fall off, we use an equation called the Inverse Square Law. That’s where light’s distance comes into play: the farther a subject is from a light, the less that light will show up, the less incidental light there will be. Presumably, you’d take the flashlight, and that’s because the flashlight is stronger – it has more lumens.īut as you’re trekking through this dark wood, you realize that you’re still pretty frightened because your flashlight’s light only reaches so far ahead of you. ![]() A kindly fairy godmother presents you with two options: a small, flickering candle or a heavy-duty flashlight. Imagine you’re trekking through a dark wood like some character out of a Brothers Grimm fable, and you need a light in order to see. ![]() The amount of light which reaches the camera is dependent on two main variables (math incoming): the strength of the light source and the source’s distance from the subject. ![]() That light, the light which shows up on your viewfinder, is referred to as reflective light – it’s light which has been reflected off an object and onto your cam’s sensor. But wait, there’s more! Understandably, a cinematographer needs to know how much of that incidental light is going to reach the camera. ![]()
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